Jandek on DVD – Houston Thursday

Authored by Dale Nickey:

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 JANDEK “Houston Thursday”

Corwood Industries (0818)

Filmed live at Mango’s in Houston Texas – July 12, 2012

Prepare to get punked….

“Houston Thursday” sees The Representative of Corwood Industries (aka Jandek) getting down to his industrial-punk roots. In stark contrast to Jandek’s recent trend towards extended compositions; “Houston Thursday” is a taut, no nonsense sprint through 16 songs. The majority of the numbers clock in at under three minutes with only the final track (Glass Boxes) breaking the four minute mark at a tolerable 09:37.

Don not attempt to adjust your screen at the start of this DVD. The opening image is an indistinct (but intentional) blur that had me fiddling with my remote. However, once we gain admittance to the venue, the videography reveals itself to be creative and mood appropriate. Front woman Sheila Smith is the visual focal point of this performance. Sporting a pageboy hairstyle that is reminiscent of Uma Thurman in Pulp Fiction; Smith shouts out verse over thick slabs of Guitar, Bass and Drums. The Representative of Corwood Industries confines himself to electric guitar for the entire set. His fully bearded face is seldom seen. Mostly, we get shots of the man from the waist down or close ups of his hands playing the guitar.

Sheilacorwoodindustries.com/

In keeping with the fast and furious spirit of “Houston Thursday”, here is a brisk wind sprint through the track list:

My Letters – DVD opens with artsy fartsy camera work set against a staccato eighth note groove. Droning metal mayhem sets the pace for the remainder of the set. Opening missive, “You don’t understand my voice”.

Emergency – Old school thrash quickie for the A.D.D. sufferer. The homer crowd is clearly into it and cheers lustily after each number. Smith advises, “You should learn how to ride a bike”.

Your Designs – Concise little ditty that answers the musical question, ‘who gives a shit?’ Key lyrics, “I don’t want to know your designs, I don’t want to know your thoughts, I don’t want to have a clue about you. Not knowing is better… You confuse me, you confuse everyone…” Well done.

Dallas Bitches – Nice razor wire guitar work from The Representative in support of Sheila Smith’s rant about…well…Dallas Bitches.

On The Metro – Prickly echoed guitar squall set to a nice bass hook and syncopated drum work. Sheila likes cars about as much as she does Dallas Bitches.

Walk Talk Leave – Sheila looks amazing. But, she’s pissed because people are jackoffs. “They exist to resist”. They are also crappy listeners; because apparently, they have water in their ears.

Asked For A Refund – One of the longer entries at 3:20, The Rep kicks things off with a space needle guitar intro. Then Sheila testifies, “They cut me open and I did not bleed…they sewed me back up”. Sheila’s desire for a refund remains unrequited.

Can’t Hear You – More auditory problems ensue as Sheila laments “I can’t hear you, even while I am listening”. One of the few selections on “Houston Thursday” that courts dispensability. Nice bass line though. The Representative finally makes his verbal presence felt with two well timed grunts.

Floor – Throughout “Houston Thursday” The Representative of Corwood Industries (aka Jandek) mixes in liberal amounts of echo to pleasing effect. Moreover, his guitar work boasts an atonal cogency that is eye opening. Part way through “Floor”, the bassist and drummer ‘floor it’ unexpectedly and drive the tune into a nice concrete wall ending.

Chit Chat – Sheila regains control of the stage and eloquently communicates her inability to communicate. The Representative kills it on guitar. One of the best tracks on the DVD. Really could have gone on a bit longer.

Sit On Your Feet – Speed metal drumming in support of The Representative. Smith sits at the feet of The Representative in another paean to ineloquence.

Not Think – Nice jazzmeat drum solo starts things up as The Representative does some higher register lead guitar work suitable for a slasher flick, then dives down to some thick, lower register improvisation that brings to mind some of Robert Fripp’s more anarchic moments.

Books That I Read – Lo tech/high concept camera angle brings us into the audience for the first time. Guitar, Bass and Drums come at each other from all directions – fists flying – until a sudden breakdown ends the piece. Impressive.

Beholden To You – Still viewing from the audience, the band slams in and we find Sheila (stage right) kvetching about being too short for the microphone. The Representative guides the way with a wall of red noise, then switches gears to some nuanced lead work and back again.

People Will Talk – Dumb as dirt drumbeat starts in support of Jandek’s wall of grunge. Close ups of Sheila evoke the image of a pretty little Goth princess who could murder you in your sleep after giving you the best sex of your life.

Galveston – Sheila Smith scores more face time and the camera clearly loves her. Key lyrics, “She’s in charge, she’s responsible, she takes care of us all. We love her, but we don’t know her.” And, “I moved to Houston after the flood.” Sheila also states unequivocally that she doesn’t believe in renters insurance. Jimmy Webb run for your life.

Glass Boxes – Weirdest thing, my reliable old hi-fi receiver packed up and took a shit right before this track commenced. Spooky. Anyway, viewing this without sound gave me an appreciation for the videography which appears to be a single camera shoot. The vibe of the music is captured and augmented by creative use of angles, movement and light (or) lack thereof. Textbook example of DIY Punk videography – if there is such a thing. Musically, “Glass Boxes” is a slow burn monologue that finds band and Sheila playing off each other. Smith describes a visit to an art exhibit where the artists are housed in glass boxes. Armed only with a pamphlet and instructions to keep smiling, the narrator tries to make sense of it all without much success. After some initial musical fireworks, the flame of the song flickers and slowly extinguishes itself courtesy of a delicate drum beat fade out. Show’s over.

Houston is Jandek’s hometown. It makes sense that he would do some of his best work on his home turf. “Houston Thursday” is a refreshing change-up from Jandek’s supersized offerings in recent years. Fans of L.A. speed-punk merchants – The Minutemen and noise-pop purveyors Beast of Beast will find comfort here. This DVD also reveals Sheila Smith to be a key player in Jandek’s late period renaissance. Among the many live DVD concert performances that inhabit The Corwood Industries catalog, “Houston Thursday” stands as one of the best.

jandek

To visit the Corwood Industries catalog click >>corwoodindustries.com/

 

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