Luka Bloom (Riverside) – 1990
Irishman Luka Bloom managed to paddle in on the first tidal surge of the New Celtic boom. Two years after Van Morrison And The Chieftains breakthrough album and four years before Riverdance came this unfussy, echo-drenched little gem. The core of the album is Luka’s masculine brogue and his clean hyperactive electro-acoustic strumming. What decoration there is on the album only serves to strengthen and support its main character. The songs are sturdy and straightforward and are not begging to be liked. The emotions range from mature whimsy, “You Couldn’t Have Come At A Better Time” and “Delirious”, to aching, moody reportage, “Gone To Pablo”. “Rescue Mission ” is one of those songs that any good songwriter wishes they had written. Stardom seemed possible but never materialized. Luka faded further into obscurity with each successive album. He never again reached the bar he set for himself on Riverside .
Sometimes a full band can get in the way of a good song and dilute the power of the artist. This is Luka (straight no chaser) delivering one of his best songs.
Author: Dale Nickey
Johnny Winter, was a storm force gail that issued forth from Texas just in the nick of time to bring hard electric blues to the tie dyed Woodstock Nation. He had androgyny, an endless well of virtuosity and blind blues mystique. He was the whole package. To say his passing was a shock would be lying. He had been playing seated for several years prior to his death.
Imagine the talent agent that first caught wind of Johnny Winter. “Wait, you’re tellin’ me that you got a snow white Texas albino who sings and plays the blues like a mother#$%*%#! and his name is WINTER?……Huh, what?!! Are you shitting me? He’s got a TWIN??!!”
Its great that Stevie Ray Vaughn gained admittance The R&R HOF. However, Johnny Winter should have gone in first. How many Texas blues rockers has he blazed the trail for? ZZ Top, Stevie, The Fabulous Thunderbirds to name a few. He’s one of the few blues players who displayed staggering virtuosity without compromising the blues ethos. Substance abuse and bad management blunted his hopes of a commercial crossover. He refused to sign a release allowing his Woodstock performance to be included in the film. And, rumors persist that he shrugged off an offer to replace Duane Allman in the Allman Brothers. No, matter. He was a trailblazer and a hell-raiser. He produced three Grammy winning albums for Muddy Waters when the blues giant was kicked to the curb after Chess Records closed. Now he’s gone, found dead in a hotel room in Zurich. He leaves a void in the universe and a void in The Hall.